Zuidkolk (View of Delft) - Delft

Marcel Proust, the French novelist from the 19th and early 20th century, was a great admirer of this masterpiece. Even in his day, the painting was already displayed at the Mauritshuis, where it still attracts crowds today. Proust once visited The Hague and wrote about a character in one of his novels who died of sheer emotion after seeing the work – not something we’d wish on anyone, but it says a lot about the power of great art.

Vermeer gave it everything he had: thick daubs of paint to capture sunlight on the Nieuwe Kerk, and finer brushwork and thinner layers in other areas of the simple yet brilliant composition.

These days, the quay is mostly walked by students from InHolland University and the nearby university district. Cyclists whip around the sharp corner like racers on a track. Much has changed since Vermeer stood here, brush in hand, working from a local inn on the Hooigracht.

The buildings no longer resemble those in the painting – except for the ever-present tower of the Nieuwe Kerk. But the atmosphere is still right. The moored boats add a subtle maritime vibe, even this far inland. This part of Delft used to be a busy harbour, filled with tow barges, riverboats and even herring ships. You can still imagine it.

Students, tourists and café visitors all add their own layer to a scene that’s been worth admiring for centuries. Vermeer thought so in the Golden Age – and who are we to question his judgment?